using HTML5 to build film credits
Getting some really great comments and feedback from this post about film credits and HTML5, wanted to share the post here since it’s where the idea stemmed from.
via mikeambs:
This is not a how-to post, but it is an idea that I hope someone else with the know-how runs with.
I posted a question on the FToM production blog the other day that was a question on the relevance of credits after a film, a conversation first started by Kelly Sutton, I think what I personally want to see most is not a doing away all-together with post-roll credits, but making them something useful.
When I’m curious about an actor or actresses name, or the cinematographer of a film, I never dig out the DVD, or more accurately these days - because I don’t watch many DVDs - I never dig up the film on Netflix streaming and skip through to the credits, I use Google, or IMDb.
Why? Well, not only do the credits after a film tell me a name and only a name - but the internet makes it easy to see other people’s work, photographs, film excerpts, biographies, etc. I can dig into a person’s involvement with a film as deep or as quickly as I feel like. And that is what I want to see happen with the credits after a film.
Again, I am not saying that I know how to do this, but as I understand HTML5, I do believe it is more than capable of being the searchable / interactive / linkable / sharable / expandable tool that feels missing from a film.
With HTML5, an entire film can be placed anywhere with a simple < video > tag, but what if the video itself had no credits at all contained in it? So that after the < video > ended, a scrolling credits built entirely with HTML5 began? If the transition between < video > and HTML5 credits was seamless, the person watching would never really know the split had taken place, but they would be able to search through for a name, a song, a crew position, etc.
Any ideas? How could we make this happen?
Source: mikeambs
Post-Production : Week 59
It’s been another busy week – I just finished getting the Netflix Competition and the Rooftop Films DVDs all sealed and ready to go for tomorrow! And I was about to export a new teaser, then sit down and get a few more thoughts down on paper for the film.
I have to say the Netflix Competition is a long shot – more accurately; it’s a really, really, really crazy long shot – but it feels good to enter and at least give it a shot. You never know unless you try. But I’m pretty excited and anxious about the Rooftop Film Fest. I don’t know if it’s possible, but I’ve wanted to attend for the last several years. And being accepted would be a great excuse to buy a ticket to NY!
Source: vimeo.com
that point when you realize how unprepared you are
Our friend, Zadi, from Epic FU, sent us a link to the Netflix Find Your Voice Film Competition, the description sounds perfect for us. First off, if you are selected for the film grant, you retain *all* rights to your film! Secondly, they not only award your film money, they provide all the steps necessary beyond post to see that it gets out into the world. A downside is they only accept 2,000 submissions, and that is going to fill up insanely fast. So Amanda and I, after we both got out of work yesterday, spent as long as we could working on the submission requirements. Which has been a real wake up call for us. The only synopsis for the film we have is around 300 words, Netflix requires that plus a longer synopsis preferred to be around 1,000 words. They also require a script, or in our case a detailed treatment of the film… which I’ve never written. A budget breakdown of the expenses left in post-production to distribution. Bios for the cast and crew. And a 1,000 word cover letter introducing myself and the project. None of these things are something we have prepared sitting filed away for ready-use. Which is resulting is long nights writing treatments and budget-drafts that we have no real experience with in a professional setting, which, I’m sure, Netflix is expecting. But nothing like a hard deadline to get you moving on to-do’s you’ve been putting off for months. Our Without a Box information has been lacking under ‘For Thousands of Miles’, so all this work will pay off and make it easier to submit to upcoming festivals. We have very ambitious goals for 2009 – and I have a feeling this stress is only the tip of the iceberg for us.